“You should make books and sell them at the Farmer’s market!” said a co-commuter, as we were waiting for the train this morning.
I was bringing in a large unused canvas I had stashed in our shed to give to a coworker, and my commuter friend asked me, “Oh, do you paint?”
I explained what I was doing with the canvas, and how it had been some time since I’d devoted any time to painting on a canvas of this size. I asked her whether she did.
“I used to… in high school. I’d like to get back into it but I just don’t have the time to devote to it.”
This has got to be one of two of the most common phrases I hear in relation to art making. The other is something along the lines of “Oh, I’m not artistic.”
I told her that there were courses she could take online, and sent her a link to Flora Bowley’s website, even offered to lend her Flora’s “Brave Intuitive Painting” book.
Then, when she asked me (the inevitable question) whether I’d sold my work, I told her “Mostly, no.” I told her that I for the most part worked in a book these days, journal-style, so I showed her some photos, which elicited “Oh, you’re really good!” followed by the sentence I started this blog post with.
I am good. I know this. I can always get better, and practice does improve one’s skills. I know this too.
Here’s the thing. Not that many years ago I made a choice. I chose not to make a living through visual art.
I struggled with this for a long, long time. When I was at the top of my young life, it was something that I felt I was meant to do, but after I left art school without completing my degree, I began working in offices. It didn’t take me long to get mired down by debt. Then I married and a whole different lifestyle took center court.
A few years into motherhood, I decided to try to revisit the art-as-a-living thing and struggled for a while longer trying to figure out how to manifest this desire that sat in the pit of my stomach into something more tangible – something that would provide enough income to replace the one I was earning through other means.
I never did figure it out. I flailed – wildly – and in the end those aspirations were left behind, along with the rubble of a failed marriage.
Not the art, though.
When people claim “art saves lives” I can really get behind that phrase. It’s saved mine innumerable times, has been along with me on my life journey and has always provided refuge.
It’s provided a way for me to express the things roiling inside of me that I could not – did not even know how to – bring out in any other way.
The book I’m reading at the moment, A General Theory of Love by Thomas Lewis, Fari Amini and Richard Lannon, (all M.D.’s), had some interesting passages about the complex functioning of the limbic brain, and how human intuition works.
“As we move through the world we tend to presume that success comes from understanding. The brightness of rationality’s narrow beam makes this supposition nearly inescapable. “Reason is the substance of the universe,” Hegel crowed in an age when science still expected to explicate everything. But these memory studies have intuition leading comprehension by a country mile; they reveal our lives lit by the diffuse glow of a second sun we never see. When confronted with repetitive experiences, the brain unconsciously extracts the rules that underlie them. We experience the perceptible portion of this facility as a gathering pressure in the solar plexus, ready for use but defying description. Such knowledge develops with languorous ease and inevitability, stubbornly inexpressible, never destined for translation into words.”
On the following page they speak to how children learn language, but I find this very summative of the creative process as well:
“Every language is intricate, but is not chaotic; the underlying uniformities reveal themselves to the neural systems poised to pluck recurring patterns out of a sea of experience. […] Behind the familiar bright, analytic engine of consciousness is a shadow of silent strength, spinning dazzlingly complicated life into automatic actions, convictions without intellect, and hunches whose reasons follow later or not at all. It is this darker system that guides our choices in love.”
I believe that it is this same system, that when tapped into, provides me with the essence of my creativity. I’m pretty sure that’s where it comes from for all of us.
While I’ve moved from one art form (visual art) to another (writing), I notice that the way in which it comes into being is different, but not the place from which it derives. For me, the drive to create is innate and autonomic… something I must do.
I’ll close this meandering post with this: create (if you want to) if there’s something that crouches in your solar plexus that wants to be outwardly expressed.
If it feels right, sit with your body for a while and make room for the process to unfold in your life.
I have found that it is profoundly enriching, and even at times life-saving. A birthright.